Here are some of the weirder sketchy doodles that have emerged from my pens recently!
More Vintage Articles on Cartooning and Animation
Last week I posted about the Modern Mechanix magazine archive -- a nifty treasure chest of vintage magazine articles about cartoons. “How Comic Cartoons Make Fortunes” was just the start of the goodies…There are a lot more where that one came from!
Real Scenery for Popeye…all about the Fleischer Studios and their 3-d rotating sets
These articles from magazines such as Popular Mechanics, Popular Science and Modern Mechanix give a perspective on the art and industry of animation and cartooning that really shows how excited people were about cartoons and the advancements in animation during the early twentieth century.
Sound Tricks of Mickey Mouse… a look at the Walt Disney Studios groundbreaking work in sound cartoons
Making of a Funny…a look at the production process of Bringing Up Father by George McManus
What Makes Mickey Mouse Move?
How Disney Combines Living Actors with His Cartoon Characters
Nutty Inventions Paid Me a Million by Rube Goldberg
The Making of Snow White and the Seven Dwarfs
All of these articles are scanned and posted in multiple resolutions, so you can read them on screen or download high-resolution images to print or look at later!
If you missed that post about the 1933 feature, “How Comic Cartoons Make Fortunes,” from the Modern Mechanix blog, just click on the image below…
1933: How Comic Cartoons Make Fortunes – Vintage Magazine Scans
The Modern Mechanix blog reprints many great illustrated articles from the 1930’s and 40’s. One of my favorites is this look at Depression-era income opportunities in cartooning and animation!
http://blog.modernmechanix.com/2006/04/19/how-comic-cartoons-make-fortunes/
Click on any of the thumbnails below
to open up a crisp and clear high-resolution scan
Click on any of the thumbnails below
to open up a crisp and clear high-resolution scan
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ALL of these pages are available to download at SUPER-SIZE over at
http://blog.modernmechanix.com/2006/04/19/how-comic-cartoons-make-fortunes/
http://blog.modernmechanix.com/2006/04/19/how-comic-cartoons-make-fortunes/
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…and aside from the great article, check out all the beautiful advertisements on these pages.
PS…there are MANY more articles on cartoons and cartooning and animation at the Modern Mechanix blog. Just click HERE to jump right over!
Goofus The Gopher –– Funny Animal Comics from 1947 Tick Tock Tales #11
Goofus The Gopher
Funny Animal Comics from 1947
Tick Tock Tales 11
SpongeBob the "Lowbrow" vs. Squidward the "Arteest"
This one was created for the article on "Best Art in NYC," about the best art in New York City. I had a great time contrasting the childlike unfiltered creativity of SpongeBob with the uptight artsy-fartsy self-importance of Squidward.
Drawing and inking by me, color by Peter Bennett
Powerhouse Pepper by Basil Wolverton -- Who’ll Guard the Bodyguard?
Powerhouse Pepper 4-pager
from Tessie the Typist #10 June 1947
story and art by Basil Wolverton
Stumble Inn by George Herriman
There's a lot of George Herriman's Krazy Kat being reprinted these days, but not so many people are familiar with one of his other newspaper comic strips from the 1920's, Stumble Inn.
Stumble Inn is kind of like Fawlty Towers in that it all takes place in a small hotel with a small cast of regular characters...
Okay -- enough intro!
__________________________________
On with today's Stumble Inn comic strip ...
Here's the whole Stumble Inn comic strip at 300dpi...
Yes, folks...this giant 6-panel strip is a DAILY comic strip! It measure about 6 inches tall by 12 inches wide. Too big to fit in my scanner. It's bigger than today's Sunday strips! I bought a small run of 26 consecutive comic strips on eBay a few years ago, and every single one of them has just as much love and detail and early 20th century urban funkiness as this one does.
I love when Herriman is drawing in this mode. It reminds me of his illustrations for the Archy and Mehitabel books.
His pen strokes are so assured and bouncy, filling his cartoons with vim and vigor!
According to Allan Holtz at The Stripper's Guide, George Herriman's Stumble Inn ran 10/30/1922-1/9/1926. That's right in the middle of his Krazy Kat output. George Herriman worked on at least 27 different comic strip titles in his life, and oftentimes many different strips ran at the same time. During his 1913-1944 run on Krazy Kat, he also concurrently created strips such as this one and Baron Bean ( I always liked that play on words: barren bean = empty head. I love it when people called someone's head their "bean.")
There's a nice example of a Stumble Inn color Sunday page HERE.
On a personal note, it is the cartooning genius of George Herriman (along with Roy Crane, and Harvey Kurtzman) that got me really excited about the boundless possibilities of cartooning. Now that there are so many reprint projects going on, I urge you to seek out the work of these "old masters" of cartoon art.
Stumble Inn is kind of like Fawlty Towers in that it all takes place in a small hotel with a small cast of regular characters...
The Main characters are:
Uriah Stumble,
Uriah Stumble,
-- the long-suffering proprietor of the eponymous hotel...
Mr. Owl-Eye,
the "house dick"
(or hotel detective, if you please...)
the "house dick"
(or hotel detective, if you please...)
Mr. Weewee (oui, oui)
the French chef who works in the kitchen
the French chef who works in the kitchen
and Joe Beamish --
a character who does absolutely nothing but sleep in the soft chairs in the lobby. I gather from the strip that he's not a paying guest, but rather just a lazy local who takes up space. It's amazing how much mileage George Herriman can get out of a character that never so much as opens his eyes!
Oh -- and a never-ending supply of "guests"
that can "stumble in" to the strip for added comedy situations.
that can "stumble in" to the strip for added comedy situations.
Okay -- enough intro!
__________________________________
On with today's Stumble Inn comic strip ...
Here's the whole Stumble Inn comic strip at 300dpi...
Yes, folks...this giant 6-panel strip is a DAILY comic strip! It measure about 6 inches tall by 12 inches wide. Too big to fit in my scanner. It's bigger than today's Sunday strips! I bought a small run of 26 consecutive comic strips on eBay a few years ago, and every single one of them has just as much love and detail and early 20th century urban funkiness as this one does.
I love when Herriman is drawing in this mode. It reminds me of his illustrations for the Archy and Mehitabel books.
According to Allan Holtz at The Stripper's Guide, George Herriman's Stumble Inn ran 10/30/1922-1/9/1926. That's right in the middle of his Krazy Kat output. George Herriman worked on at least 27 different comic strip titles in his life, and oftentimes many different strips ran at the same time. During his 1913-1944 run on Krazy Kat, he also concurrently created strips such as this one and Baron Bean ( I always liked that play on words: barren bean = empty head. I love it when people called someone's head their "bean.")
There's a nice example of a Stumble Inn color Sunday page HERE.
On a personal note, it is the cartooning genius of George Herriman (along with Roy Crane, and Harvey Kurtzman) that got me really excited about the boundless possibilities of cartooning. Now that there are so many reprint projects going on, I urge you to seek out the work of these "old masters" of cartoon art.
Mister Breger and the Beaurocratic Genie
Dave Breger was the creator of the WW2-era comic strip, “Private Breger Abroad,” which later morphed into “G.I. JOE” for the U.S. Army’s own “Yank” newspaper. (Breger created the term GI Joe…but had nothing to do with the toys or cartoons that came much later)
When his character, “Private Breger” got out of the army after the war, his comic strip was reborn as “Mister Breger.”  |  This One-page filler comic is from the Katzenjammer Kids comic book #6, Autumn 1948 |
Here’s the whole page…click for a BIG version!
…and here’s a bonus page from the same comic…
”Right Around Home” by Dudley Fisher
”Right Around Home” by Dudley Fisher
